Hello, old
friend! How nice of you to stop by.
I must confess,
though—I knew you were coming.
The blade of
grass in front of my doorstep
Spoke of you
today. Something about the way she stood—
Alone among
a million in the damp morning—
she was a lily dressed as a green peasant,
lowly in disguise, a small emissary.
She was saying,
“Rolando, your friend is near.
After so many
years, your friend is near!”
There were other augurs.
I could talk
about the giggling girls in the park;
Only when you
are visiting can they laugh so!
And let’s not
forget the boys who, for once,
Opened their
fists like fast-forward flowers blooming,
and, instead of fighting, painted with
their hands.
There was
another indication, if I remember well:
a ray of the sun fell in love with a butterfly's shadow—
That, for me,
was the telltale sign:
My oldest friend
is going to be stopping by!
So, hello again,
and thank you for coming on a sunny day.
I wondered as I
opened the door, what face you’d be wearing;
The years can
mold us like clay, Time being the Eternal Potter;
Thus my house is broken, my friend, but my dreams have straggled.
Thus my house is broken, my friend, but my dreams have straggled.
So step in: let your splendid feet meet my house.
The face you
wear now is the most wondrous yet.
And you haven’t
aged a bit, my dearest, oldest friend.
I know my face
looks like it’s spent years stuck in a river,
And I know my house
slouches like a withered vine—
There are too
many splinters on the floor here.
But I preserved
a bottle of wine, an 1885 we
Promised we'd share on
the day of your return,
The day we’d begin the work on those wooden shreds,
On how grey
everything is.
For I could have
painted the walls,
But only you
could pick the right color.
And I could have
picked the splinters,
But only you
would have seen all of them.
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