Dear
friend,
I
live in a dark cabin. Centipedes, ants,
and other critters lurk behind doorways. I can hear them clickety-clacking around me. Sand surrounds my cabin. The foam
of ocean waves hits the shore not too far away. And all around, half-darkness coats everything.
By the cabin stands a lighthouse. It does good job of rotating, but I have never
seen a sailor moor his boat here. I have come to think the lighthouse is
useless.
Only
one window in my cabin frames the post-dusk sky. Every now and then the black
silhouette of a seagull will form a check-marked blot on the landscape.
I
used to think the blue post-dusk sky would comfort me. But when I arrived,
something in the air stopped. The engines of the cosmos ceased running. The sky’s
heavy slog towards the night froze. And now, Time’s pendulum hangs still. The sky is the color that comes just before the sunrise, dark enough to
mistake the shadow of the tree for a monster, but not dark enough to make the
island seem like an empty hole of nothing. It is a blue half-darkness.
Everything is stuck here, except the animals and the lighthouse. And me? I
write.
Every
twelve seconds a light flashes up my house, drowning the cabin in a white flare.
It wakes me up from dreams. Sometimes I think it is the white flame of an
explosion. Let me explain.
In
the dream we are in a green park, and I can see the sunlight. You are looking
at the sun. You notice something suspicious about it. Isn’t it too white today?
you say. I am lying on the grass, and though I think I am just reclining, when
you turn to look at me, you see my feet are buried underground, as if the grass
has swallowed me. I look down and see green tendrils crawling up my torso. How
long have I been half-buried like this? I ask myself. Why did I not notice? Why
did you not notice, friend? My face is tense. I begin to shout. It is not your
fault that I am being eaten.
Your
mouth opens as if to say something, but then the sun explodes, and a wave of
white fire reaches out to hug us. And your instinct is to reach down to my arms,
grab my hands, pull me. Before the white fire consumes us, your hands grip
mine.
I
wake up to see the light of the lighthouse lighting me up. The light spends
many seconds away from my house—twelve of darkness for every burst of light.
But that one feels like an explosion every time, especially when I am sleeping.
Can
you hear that explosion of light in my voice? Is my voice shaking with the
nervousness of the bugs in my room? Is it foaming with the waves? Most of all,
friend, can you recognize this voice through my writing, so long enveloped in
my island’s darkness? Do I show up in your dreams, trying to save you, trying
to love you?
I
have yet to give this place a name. Does it deserve one, friend? What do you
think it should be called? I would love to sit with you and discuss this, if
you still think we can still do that sort of thing. I know I ran away. Did my
disappearance ease your anguish? Did my ghost linger? Yours did in me.
When
I walk along the beach, I will feel a soft breath behind my back. Something is about
to tell me a secret, I think. I look back and the wind blows its voice at me. Its
voice does not have a language. It is palpable, it has identity, but I cannot
talk to it like we used to talk in half-nights as half-dark as mine.
Can
you still hear me? Are you still there? Have you run away yet?
I
was talking about the wind. The wind does not have a voice but it carries the
voices of other things. I can hear, for example, whale songs from my house
sometimes. They offer a dim kind of company, only the knowledge that living
things too populate the seas. I cannot give myself the illusion that they sing
for me.
The
whales ultimately offer me as much company as the stars. They lead parallel lives,
the stars and the whales. Whales and stars both offer spectacles, effortlessly.
But the whales and the stars will never meet. So many sublime things that will never
ever meet. The whales will never sing with the stars and the stars will always
explode alone.
But
you and I, friend, we met, and you can only meet once. We met once and your
face is a ghost to me now, as surely as my voice must be a ghost to you. I am
hoping that when you hear this, you will see my face. Maybe then I’ll be able
to see yours. Even in dreams your face is covered in shadows.
We
met, friend. We met and our bodies were once as immediate to each other as the
foot is to the ground. Friend, if you don’t remember anything, tell me at least
that you remember the aftertaste of that immediacy, that it lingers, that it
haunts you, that it comforts you.
I
know now that I live in the dark. But were I to spend too much time in a place
of light, without any kind of reminder of the dark, I would come to forget what
darkness felt like, its hollow black glow. Do you know what surrounded us,
friend? Do you know what songs we sang? Do you know what children played in the
parks where we used to stroll? Do you remember anything about where we lived
beside its name? Can you infuse that name with a history, with buildings, with
dates and rain and clouds and games?
I
can’t. I do not even remember the name.
I do not know your shape. I do not know your gender. I do not know if I kissed you or hugged you. I do not remember anything. I only know with surefooted certainty that we were once friends. I know you are not a fiction. You are not a fiction.
I do not know your shape. I do not know your gender. I do not know if I kissed you or hugged you. I do not remember anything. I only know with surefooted certainty that we were once friends. I know you are not a fiction. You are not a fiction.
Maybe
it’s the post-dusk. Or maybe it’s the disembodied voices: is the skittering really
of bugs? Or are they just pellets falling from the roof? Are the
waves really foamy, or is it just a crunching inside my brain? Do whales really
sing or is it just the wind howling? Are the shadows of trees outside my house
really monsters?
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